| Mercury: The Afterlife and Times of a Rock God | |
|---|---|
Front cover of the first published edition of the play |
|
| Written by | Charles Messina |
| Characters | Freddie Mercury |
| Date premiered | November 24, 1997 |
| Place premiered | Sanford Meisner Theatre New York, NY |
| Original language | English |
| Genre | Monodrama |
| Setting | A room |
Mercury: The Afterlife and Times of a Rock God is a monodrama written by Charles Messina about the life and death of Queen lead singer Freddie Mercury. It presents Mercury in the moments just after his death, during which he is confronted with self-examination as he "seeks redemption before a God unimpressed by his celebrity."[1]
Contents |
Promotional postcard for the second run of Mercury: The Afterlife and Times of a Rock God |
The play debuted at the Sanford Meisner Theatre in New York City's Chelsea district on November 24th, 1997 at 6:48pm - the 6th anniversary of Mercury's death.[2] The part of Freddie was played by Khalid Gonçalves (né Paul Gonçalves).[3]
On opening night of the play, then-New York City Council member Tom Duane introduced the show.[3]
The play ran every night until December 7th.
The play began its second run on February 14th, 1998.
On February 17th, rock musician Billy Squier, a longtime friend of Freddie's, debuted a song that he wrote in memory of him titled I Have Watched You Fly. He introduced the song by saying, "I knew Freddie as a friend. I'm honored to share the stage with him in the afterlife."[4]
The play was also performed every night during the second run, ending on March 8th, 1998.
Proceeds from the ticket sales of both runs were donated to Gay Men's Health Crisis and The Mercury Phoenix Trust.[3]
Promotional postcard for the third run of Mercury: The Afterlife and Times of a Rock God |
On January 11th, 2004, the play experienced a successful revival with a three month run at the The Triad Theater, also in New York City, with Messina again as writer/director and featuring Amir Darvish in the role of Freddie.[5]
In 2006, the play also had a special, limited engagement from August 30th to September 2nd at The Art House in Provincetown, Massachusetts.[6]
In 2009, the play was published by Original Works Publishing. Proceeds from the sale of the play will be donated to AmfAR, The Foundation for AIDS Research.[7]
Both incarnations of the play have received favorable reviews from Queen fans and from the music and theater press, notably Billboard,[8] The New Yorker,[9] Time Out New York, Zagat Survey,[10] and Back Stage.[11]
On November 26, 2011, the play was recognized by Flavorwire.com in their list of 15 Artistic Tributes to Freddie Mercury.[12]
There was no Queen or Freddie Mercury music in the play.
In a 1997 interview with Playbill.com, Gonçalves said, "All the things I've seen about Mercury focus on the music, career and persona; very little has been discussed about the person. Not only did Charles write a play about Mercury, he captured the humanity." "Charles and I agreed that doing a musical about Mercury would take away from what we're trying to do in getting to the core of this person. The ultimate goal is to make a film of Mercury's life."[3]
Likewise, Darvish, in a 2004 interview with Access Hollywood, stated that, "We wanted to stray away from the music. We wanted to tell his story. He has a story. Everyone knows the music. People are familiar with the music. It's his story, and where he's come from, and what he's done that people don't know.[13]
Mercury: The Afterlife and Times of a Rock God marked the first time the life of Freddie Mercury had been presented in a theatrical form.
A film version of the play is currently in development.